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	<title>The Sisterhood of Night</title>
	<link>http://www.thesisterhoodofnight-movie.com</link>
	<description>The Sisterhood of Night</description>
	<pubDate>Fri, 03 Feb 2012 06:14:40 +0000</pubDate>
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		<title>The Sisterhood of Night</title>
				
		<link>http://thesisterhoodofnight-movie.com/The-Sisterhood-of-Night</link>

		<comments>http://thesisterhoodofnight-movie.com/following/thesisterhoodofnight-movie.com/The-Sisterhood-of-Night</comments>

		<pubDate>Fri, 03 Feb 2012 06:14:40 +0000</pubDate>

		<dc:creator>The Sisterhood of Night</dc:creator>
		
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		<title>Creative Vision</title>
				
		<link>http://thesisterhoodofnight-movie.com/Creative-Vision</link>

		<comments>http://thesisterhoodofnight-movie.com/following/thesisterhoodofnight-movie.com/Creative-Vision</comments>

		<pubDate>Tue, 29 Nov 2011 05:06:51 +0000</pubDate>

		<dc:creator>The Sisterhood of Night</dc:creator>
		
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“We’ve heard this story before: The Salem Witch Trials.  All based on suspicion, jealousy, heresy, and accusation. But in our modernized version, gossip surrounding The Sisterhood of Night is circulated by immediate forms of communication, namely the internet and cellular phones. All-too revealing Facebook pages,  low-resolution cell phone photos, and anonymous chat room babble add to the hysteria: Are the girls doing the unspeakable in the dead of night? Just like a teenage girl cuts and pastes together magazine clippings, stickers, and photographs, SISTERHOOD is a filmic collage in which seemingly two-dimensional plastic characters and contrasting media forms are brought to life in a visceral ensemble piece. Individually, the girls are mysterious and fragmented; they hide from the spotlight of controversy in the shadows of their overexposed world. But together in the dark and still of night,  the girls of The Sisterhood function and breathe as one. As the visual interpreter, I build the case with evidence and then you be the judge: who is guilty of overexposure?” 
- Caryn Waechter, Director


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A collection of photos from teen photographers (curated by Caryn), 
to give you a sense of the look and feel of the film.</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	<item>
		<title>Contact</title>
				
		<link>http://thesisterhoodofnight-movie.com/Contact-1</link>

		<comments>http://thesisterhoodofnight-movie.com/following/thesisterhoodofnight-movie.com/Contact-1</comments>

		<pubDate>Tue, 29 Nov 2011 04:36:27 +0000</pubDate>

		<dc:creator>The Sisterhood of Night</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2378519</guid>

		<description>For more info, contact: sisterhoodfilm@gmail.com

Sisterhood on Facebook
Sisterhood on Twitter

Join the adventure and support The Sisterhood on Kickstarter!

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		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	<item>
		<title>The Evidence</title>
				
		<link>http://thesisterhoodofnight-movie.com/The-Evidence-1</link>

		<comments>http://thesisterhoodofnight-movie.com/following/thesisterhoodofnight-movie.com/The-Evidence-1</comments>

		<pubDate>Tue, 29 Nov 2011 04:33:31 +0000</pubDate>

		<dc:creator>The Sisterhood of Night</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2378502</guid>

		<description>&#60;img src="http://payload3.cargocollective.com/1/4/149369/2378502/secret in forest.jpg" width="670" height="449" width_o="1024" height_o="687" src_o="http://payload3.cargocollective.com/1/4/149369/2378502/secret in forest_o.jpg" data-mid="11961895"  border="0" align="left"/&#62;

Tribeca Creative Promise Award for Best Screenplay @ Tribeca All Access
Indiewire
Tribeca Film Institute
Variety

Tribeca All Access Announcement
Indiewire
Backstage

Steven Millhauser
NY Times
Steven Millhauser’s "Ghost Stories"
Written over the span of three decades, Steven Millhauser’s stories find the weird in the prosaic.

Landmark Theaters
"My film The Illusionist is based on a short story, ‘Eisenheim the Illusionist’ by Steven Millhauser, who won the Pulitzer in 1997. His story is a beautifully written, lyrical gem—cinematic and transcendent."

New York Times Review
"Millhauser's fascination with childhood -- particularly the ease with which children negotiate those shifts between reality and illusion that are so troublesome to adults -- is evident in a number of the stories in The Knife Thrower...The richest of the stories in this vein is ‘The Sisterhood of Night.’"

Boston Globe Review
"Fans of Millhauser will find themselves happily in familiar territory with his new collection, The Knife Thrower and Other Stories.  Once again he is looking over his shoulder -- to the past, to Europe, perhaps even to the future -- but always to something other than ordinary, earthbound late-20th-century life."</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>The Filmmakers</title>
				
		<link>http://thesisterhoodofnight-movie.com/The-Filmmakers</link>

		<comments>http://thesisterhoodofnight-movie.com/following/thesisterhoodofnight-movie.com/The-Filmmakers</comments>

		<pubDate>Tue, 29 Nov 2011 04:27:48 +0000</pubDate>

		<dc:creator>The Sisterhood of Night</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2378469</guid>

		<description>CARYN WAECHTER
 DIRECTOR 
Caryn Waechter is a graduate of Columbia University’s MFA film program where she concentrated in Directing. Her first short film BEAT, shot guerrilla-style on super 8mm, marked her as a visceral visionary with a sense of rhythm—mixing fiction with cinema verite inside real underground parties. Her thesis film God is Good, written by Dennis Lee, was awarded the New Line Cinema Award for Best Director, The Kodak Film Grant, Special Jury Prize at the USA Film Festival, First Prize for Editing at the Rhode Island Film Festival, Narrative Short Finalist in the IFP Market, and Top Prize at the Chinese-American Festival of Film and Culture, where she was flown to China to screen and talk about her film. Waechter is a main contributor to Ridley Scott and Kevin Macdonald’s Youtube documentary Life in a Day, where her footage on July 24th was picked from 80,000 submissions and 4,500 hours. It premiered at the 2011 Sundance Film Festival, where Waechter was invited to talk about her filming process, and was released theatrically by National Geographic Films on July 24th, 2011. She works as an editor and photographer/shooter in New York City.

MARILYN FU 
SCREENWRITER 
Marilyn Fu received the William Goldman Screenwriting Fellowship from Columbia University in 2000. In 2007, she was honored with the Tribeca Film Festival's Creative Promise Award in Screenwriting for The Sisterhood of Night. Her following screenplay, Little Altars, was a quarterfinalist for the 2008 Don and Gee Nicholl Fellowships. Marilyn graduated from the University of Pennsylvania with a BA in English, and Columbia University with an MFA in Screenwriting. She is a writer/reporter for LIFE Books and a member of the National Board of Review of Motion Pictures, for which she also moderates discussions with filmmakers, producers, and actors.

STEVEN MILLHAUSER  
WRITER ("The Sisterhood of Night") 
Steven Millhauser was born in New York City in 1943 and grew up in Connecticut. He was educated at Columbia College and Brown University. His first novel, Edwin Mullhouse: The Life and Times of an American Dreamer, was published in 1972 and received the Prix Medicis Etranger in France. Since then, he has published ten works of fiction, including several collections of stories and the novel Martin Dressler: The Tale of an American Dreamer, which won the Pulitzer Prize in 1997. His story "Eisenheim the Illusionist" (2006), from The Barnum Museum, was the basis of the film The Illusionist (2006), starring Edward Norton and Paul Giamatti. Millhauser's work has been translated into fourteen languages. 

LYDIA DEAN PILCHER 
PRODUCER
Lydia Dean Pilcher is founder of Cine Mosaic, a production company committed to producing independent feature films, with an energetic focus on developing entertaining stories that promote social and cultural diversity. Pilcher has produced over 27 feature films and is currently preparing to produce The Reluctant Fundamentalist, based on the highly acclaimed novel by Mohsin Hamid, to be directed by Mira Nair. Also headed for production this year is Fela: Music is the Weapon, which she developed at Focus Features with Steve McQueen attached to direct and Chiwetel Ejiofor set to play Fela Kuti. In 2010, Pilcher was nominated for Emmy and Golden Globe Awards for producing HBO Films’ You Don’t Know Jack, directed by Barry Levinson and starring Al Pacino. Prior to that, Pilcher produced Amelia, starring Hilary Swank as the famous aviatrix, Amelia Earhart; The Darjeeling Limited, directed by Wes Anderson; and The Namesake, based on the novel by Jhumpa Lahiri and directed by Mira Nair. All were released theatrically by Fox Searchlight.

ELIZABETH CUTHRELL  
PRODUCER
DAVID URRUTIA  
EXECUTIVE PRODUCER
Elizabeth Cuthrell and David Urrutia are co-founders of Evenstar Films, an independent film and theater production company. Cuthrell and Urrutia are producers of Kelly Reichardt’s new film Meek’s Cutoff, starring Michelle Williams, which premiered in competition at the 2010 Venice Film Festival (winner, Signis Award), and went on to the Toronto Film Festival (winner, IndieWIRE Critics poll), the New York Film Festival, and the Sundance Fil￼m Festival. Oscilloscope Laboratories released the film in April, 2011. Cuthrell and Urrutia are executive producers on Vara the Boon, written and directed by Khyentse Norbu (The Cup), which will shoot in Sri Lanka in the winter of 2012.	Previously, Cuthrell and Urrutia wrote and produced the feature film Jesus’ Son (released in the U.S. by Lions Gate), starring Billy Crudup and Samantha Morton. Jesus' Son premiered at the Telluride Film Festival, competed in the Venice Film Festival (winner, Little Golden Lion, Ecumenical Award), and went on to the Toronto Film Festival, the London Film Festival, New Directors New Films, the Paris Film Festival (winner, Best Actor, Billy Crudup), and many others. Off-Broadway, Cuthrell and Urrutia produced the New York premiere of Denis Johnson’s play Shoppers Carried by Escalators into the Flames, starring Will Patton and Michael Shannon, Roger Rees’ one-man show What You Will at ACT in San Francisco, and Jonathan Cott’s new play Walt and Emily: Between the Rooms at the Cherry Lane Theater. Evenstar also conceived, wrote, and produced (along with Mary-Louise Parker) a series of public service announcements called Stop the Hate for the Ad Council, which urged tolerance for Arab-Americans and people of color after the attacks of 9/11. For her work on Stop the Hate, Cuthrell was awarded the 2002 Courage Award, given by the Los Angeles County Human Relations Commission. As well as The Sisterhood of Night, films in development include an adaptation of the novel Resuscitation of a Hanged Man, Devotion, Cuthrell's The Lantern Inn, and a documentary featuring the Dalai Lama and Robert Thurman, The Power of Peace.

COURTNEY LEE-MITCHELL 
EXECUTIVE PRODUCER
Until January 2012, Courtney Lee-Mitchell served as Director of Development for Cine Mosaic, which she joined in 2007. In 2005, she was one of the producers of the film, Nail Polish, a low-budget indie feature starring Alexandra Lydon and Paz de la Huerta for Pigdog Films. The film screened at the 2006 Mill Valley and Starz Denver Film Festivals. Prior to working on that film, Courtney worked in short film distribution for Hypnotic in NYC, preceded by a stint managing entertainment and sports-related content acquisition for the San Francisco online syndicator, iSyndicate. She also worked for the Weitz Brothers on their feature film directing debut for Universal Studios, American Pie, and practiced entertainment law at the firm of Kenoff &#38; Machtinger in Century City, CA after having trained in the feature film literary department of United Talent Agency in Beverly Hills. Courtney is a graduate of UCLA School of Law and Bard College. 
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		<title>Synopsis</title>
				
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		<dc:creator>The Sisterhood of Night</dc:creator>
		
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When the high school's gossip girl exposes a secret society called The Sisterhood of Night, the quiet town of Fairview is thrown into the public eye and blogosphere. What follows is a chronicle of three girls' unique and provocative alternative to the complexities of the digital abyss.           

The suburban town of Fairview, New Jersey is as ordinary as can be, ￼inhabited by church-going all-American families whose idea of a scandal is an ill-trimmed lawn. But even the most immaculate of towns has its share of secrets, and in Fairview, it involves a group of girls who sneak out after sunset to meet in secret locations around town. One morning at church, Emily Parris, the school's needy gossip girl, exposes a secret society of girls called The Sisterhood of Night, and accuses them of deviant activities unimaginable to those living behind white picket fences.

The allegations throw quiet Fairview into the public eye and blogosphere. The mystery only deepens when each of the accused refuses to explain herself and an on-line investigation for evidence yields...nothing. Frenzied and perturbed, the Parent-Teacher Association asks Gordy Milliken, the well-meaning guidance counselor, to interview each of the girls to get to the bottom of the matter. Three of the girls are particularly suspicious: Mary Warren, the alleged leader of The Sisterhood who is covertly hooking up with a boy from school; Catherine Huang, who has a crush on David Beckham and hides her fear of losing her mom to cancer; and Lavinia Hall, a child prodigy pianist who doubts she'll ever be kissed.
￼
Though pressure mounts and the investigation turns invasive, Mary, Catherine, Lavinia, and the other members of The Sisterhood hold their vow of silence, even as their classmates begin to assume things of them that may or may not be true. Why are they willing to risk so much, just for a nighttime gathering in the woods? What, then, are the girls' deepest secrets? The Sisterhood of Night chronicles three girls' unique and provocative alternative to the loneliness of adolescence and the digital abyss, along the way revealing the tragedy and humor of growing up--unprecedented in an Internet age that is here to stay, and timeless in its resounding echoes of betrayal and friendship.

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